Free Morocco’s political prisoners!
As well as a great deal of others and amnesty for those previously convicted and sentenced.
Check out Mamfakinch’s article (FR.) on the launch of their campaign to obtain amnesty for Morocco’s political prisoners.
I denounce my imprisonment and conviction under the penal code, and I hope I am the last journalist to be tried under it.
This case is about freedom of expression pure and simple. Every day that Belghouat spends in prison is a reminder of the distance between Morocco’s laws and practices and the rights guaranteed in its new constitution.
Sarah Leah Whitson, HRW’s Middle East and North Africa Director.
Yesterday, I wrote for the Guardian about imprisoned Moroccan rapper El Haqed and how his trial illustrates the falseness of Moroccan “democratization.” Today, Human Rights Watch has picked up the story as well and is calling on Morocco to drop the charges against El Haqed (Mouad Belghouat). It’s wonderful to see this start to truly get some international attention.
For the afternoon crowd here on Tumblr, I wrote about imprisoned Moroccan revolutionary rapper El Haqed (The Indignant) for The Guardian’s Comment is free page this morning.
Photograph: L7a9ed.com/Creative Commons
Rap and hip-hop like the music performed by El Haqed have been a notably potent genre in the Middle East and north Africa during the revolutions and protest movements, taking energy from the youth movement component of these demonstrations. The result is a complex and growing body of rap that takes all dimensions: from the mixed sounds of electro chaabi to pro-Islamic verses or bilingual solidarity songs that incorporate audio from news clips. The performance of music with an independent political voice is itself an act of protest; the demands of freedom of speech and expression have great primacy in these revolutions and uprisings.
This Week in War. A Friday round-up of what happened and what’s been written in the world of war and military/security affairs this week. It’s a mix of news reports, policy briefs, blog posts and longform journalism.
Photo: An Afghan horseman rides beside Qargha Lake in Kabul at sunset. April 5. Johannes Eisele/AFP/Getty.
Picture of the Day: Park de Ligue Arabe, Casablanca, Morocco. 28-year-old Rachid Ait Yahi, who is currently unemployed, like more than 30 percent of Morocco’s youth population, skateboards with friends.
Check out: TIME Lightbox’s photo slideshow by Yuri Kozyrev, “The New Islamists.”
Read: “The King and I: Freedom and Incarceration in Morocco,” which profiles El-Haked (The Indignant), a revolutionary rapper who has now been imprisoned by the monarchy for the second time.
Photo Credit: Yuri Kozyrev/TIME . Via.
View more Picture of the Day posts. Submit a photo.
Women in hip-hop music? Forget Nicki Minaj, let’s talk about Soultana, Malikah and Shadia Mansour.
The growing hip hop scene in the Middle East and North Africa, often highly political and under a mix of influence from Near Eastern musical traditions to Tupac, has a fabulously strong-voiced female contingent. The West has its Nicki Minajes, sure, but the Arab World comes out on top with hard-hitting female empowerment sounds from artists like Lebanese Malikah (aka MC Lix, aka Lynn Fattouh), Palestinian Shadia Mansour and Moroccan Soultana. This isn’t to say that the Arab language rap scene isn’t male-dominated. It is. But the atmosphere is overall less antagonistic to the idea of positive, constructive female voices. The notable male rappers and rap groups like DAM, Y Crew, Arabian Knightz, or El General (check out a fuller spectrum of artists here) don’t infuse their music with machismo and misogynistic peacocking. As far as I can tell, there is no Arab equivalent to “99 Problems.” In fact, quite the opposite. (For example, “Sisters” by the Arabian Knightz celebrates and honors the female contribution to Egyptian revolutionary activism.)
Soultana on being a female MC:
To be a female MC, I think, all over the world, it is so hard. Rap music relates rap music to men and not to woman. But I think, and I am sure that, woman can talk about women stuffs, women problems, women things, more than a guy. So if I want to talk about abuse, and there is a rapper who is a guy who wants to talk about abuse, he can’t express why it really means as much as a woman. I can talk about it because I can feel it. Everyday I can feel it on the streets through insults, by words, by a lot of things. Women, they can understand what women want to say. I think that really we have to be a whole generation who is confident and ready to rap and go on stage and talk about those issues.
Bonus: Watch Malikah perform with Omar Offendum in Beirut in 2010.
A solidarity poster en français supporting the Moroccan reform/revolutionary movement: “Long live the fight of the Moroccan people! Freedom for the revolutionary prisoners! Down with the reactionary Moroccan regime and with French imperialism!
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Moroccan rap star and outspoken critic of the monarchy, Mouad Belghouat (aka “Al Haked”) gave an impromptu concert upon his release from prison last week. The rapper is one of the most recognizable figures of the “February 20” pro-democracy movement in Morocco, a local extension of the Arab spring.
Moroccan rapper El Haked (Mouad Belrhouate) has just been acquitted! El Haked (The Indignant) is a Moroccan revolutionary rapper who has been imprisoned since early September on concocted charges. Freelancer Aida Alami has been live-tweeting from the courtroom this morning, and has tweeted that El Haked has been acquitted of the main charges and sentenced to four months (which he has already served). He will be free today.
[via]
February 20th Movement activists perform a song, Long Live the People, which they wrote in support of the movement and the currently detained Moroccan rapper, Mouad Belghouat (L7a9ed)
“The people want the fall of the regime” and it’s variations (The people want the fall of the Makhzen (ruling elite in Morocco), or the Field Marshal) is probably the most classic and well-known of all the chants. Its simplicity and versatility and its place in 2011’s incredible politics make it the shoo-in for first place on this list
This has been an inescapable slogan, and has resonated very powerfully with people’s experiences of economic injustice around the world, becoming a rallying cry and a point of unification for Occupiers.
The command, Leave!, is directed at despots, from Ali Abdullah Saleh to Field Marshal Tantawi. Another versatile protest chant that has been heard in revolutionary music, painted on faces and walls and shouted in the streets countless times over thecourse of 2011.
“You can trample the roses but you cannot delay the spring” hardly has the ubiquity of “Asha’ab yurīd isqāt anizzām,” but happens to be one of my personal favorites.
An expression of admiration and solidarity, playing on “Walk like an Egyptian,” acknowledging the incredible influence of the North African revolutions.
The play on the famous phrase said about banks captures perfectly the intentions of the Occupiers and the potency of the Occupy movement.
A beautiful sentiment: be with the revolution. Based on the saying “Be with Allah.”
One of the more popular ones heard in recent Russian protests against Putin’s governance and rigged parliamentary elections.
This very catchy phrase, in Egyptian dialect, means “he will leave and we will not!”
Extras: Watch the teaser clip of director Stephen Savona’s documentary “Tahrir,” featuring footage of Egyptian protest chants. And watch Egyptian singer Ramy Essam perform his song “Irhal,” featuring a number of popular chants.
(Thanks to @ArabRevRap for input on this post!)
Any slogans in particular that you felt were amazing or influential in global protests this year?
Police beating protesters in Casablanca today, May 29.
Three suspects arrested for connection to the Marrakech bombing. A remotely detonated nail bomb that was set off on April 28th at the popular Argana Café in Marrakech, Morocco. 16 people were injured and 23 were killed. Counterterrorism experts sifting through the aftermath (pictured above) concluded that it was remotely detonated and not a suicide attack as first speculated. The three suspects are all Moroccan, and their leader is reportedly “loyal to Al-Qaeda.” Officials say he had tried to plan the attacks in Chechnya and Iraq before finally finding success in Morocco. The implication seems to be that this was somehow related to Al-Qaeda or Islamic fundamentalism, but that particular connection has yet to be well-established. Read more at the Guardian.
Photo Credit: Abdeljalil Bounhar/AP
Or, our favorite way of putting it: It would take you 244 YEARS to make the same...